Tampilkan postingan dengan label 7 Celebrity Careers That Launched by Accident. Tampilkan semua postingan
Tampilkan postingan dengan label 7 Celebrity Careers That Launched by Accident. Tampilkan semua postingan

7 Celebrity Careers That Launched by Accident

By Fitzgerald Smith

Hollywood is filled with plenty of rags to riches stories. Jim Carey worked as a janitor, Demi Moore was a debt collector, Brad Pitt used to wear a chicken suit while handing out fliers and Sharon Stone worked (works?) at a McDonald's.

But some actors' beginnings can be attributed to not hard work, but sheer chance or accident. Such as...

#7. Mel Gibson

Even though he's turned into a walking punchline the last few years, there's no denying Mel Gibson will go down as one of the biggest stars in Hollywood history. His movies have made two billion dollars in the US alone and he's got two Oscars to go with it.

But Gibson's accidental stumble into stardom started in New York, where he was born (not Australia, as it turns out). Gibson's father, Hutton, filed a lawsuit against the city and won. After collecting his money, he moved his family to Australia. It was in this dingo-infested continent that a young Mel started to dabble in acting, and would get his big break due to a ridiculous, drunken stroke of luck.

What Happened?

Gibson went to the National Institute of Dramatic Art in Sydney. There he would perform in some stage productions, including the male lead in Romeo and Juliet, with Judy Davis as his co-star.

However, Gibson didn't consider a film career until a friend told him he needed a lift to audition for a movie. It was about a desolate, waste of a world in which gasoline is hunted by gay bikers.

Apparently, he still wasn't considering a film career, because the night before the audition, Gibson got into a drunken brawl at a bar. He dragged himself to the audition sporting a face full of fist shaped bruises. The director happened to catch sight of his sorry ass. Deciding that he already looked like he was living in a dystopian future, he asked him to come back because, as he put it, the film "needed freaks."

When Gibson did return, his wounds had healed into an unrecognizable mask of handsome manliness. The director asked Gibson to read for the only character who doesn't look like a blistered freak, and he landed the titular role in Mad Max , the franchise that would make him known around the globe.

#6. Evangeline Lilly

LOST is widely thought to have become a hit for two reasons: a twisting, confounding plot and an often-moist Evangeline Lilly.

After LOST debuted, Lilly immediately shot to the top of every list ever made to chart hotness, including Maxim's (twice) and FHM's. We guess she's a pretty good actress too, since she was nominated for a Golden Globe. Of course, all the fanfare could be short lived. Lilly announced that after LOST is over, she intends to put her career on hold and become a humanitarian.


Yeah. A boner humanitarian!

What Happened?

Now usually when an actress claims to be a "humanitarian," it's because her agent had to explain to her that "vegetarian" is no longer socially-conscious enough, and "planetarium" is a type of building, and therefore also out of the question. But becoming a humanitarian isn't a stretch for Lilly. Before she was an actress, she was doing missionary work in the Philippines. After declining a two-year post, she became a flight attendant with Air Canada.

Things, however, changed one day when she was walking around Kelowna, British Columbia, and was spotted by a scout for the Ford modeling agency. She almost declined, but decided she needed the money to pay for school. While not actually doing any modeling for the company, she did do some acting for them. Like this tasteful ad.

That's right: Kate, from LOST, used to star in phone sex ads in Canada. For a young ex-missionary, we'd imagine that starring in Canadian phone sex ads was as lonely and existentially terrifying as anything the LOST writers can think up to throw at her.

#5. Marilyn Monroe

The quintessential blonde bombshell, Monroe was married to baseball great Joe DiMaggio, and romantically linked to the penises of men as famous as John F. Kennedy and Frank Sinatra (if you'd like to imagine an interlinking chain of penises here, we won't stop you). She posed nude for the first issue of some up-and-coming gentlemen's magazine called Playboy and showed up in some movies, too.

What Happened?

The original blonde bombshell Marilyn Monroe was neither blonde nor named Marilyn Monroe, though her early career was closely linked to bombshells, oddly enough. Born a brunette named Norma Jeane Mortenson in LA, she spent her childhood moving between foster homes and orphanages.

When she grew up, Monroe worked at a munitions plant where she inspected parachutes and sprayed airplanes to make them fire retardant. It was at this plant that a photographer for YANK magazine (a publication intended to boost morale of troops overseas apparently through the magic of double entendres) snapped a photo of Monroe for the cover.

The photographer pointed out to her that she was smoking hot and had the kind of breasts that could change the world. So she took acting classes, cut and dyed her hair blond and became a legend.

So let that be a lesson: If some random guy shows up at your job and takes a picture of you, you should absolutely do whatever he says. He only wants what's best for you.

#4. Rosario Dawson

If you're asking who Rosario Dawson is, then we feel sorry for you. Very sorry. But despite the misfortune of landing roles in The Adventures of Pluto Nash, The Rundown and Josie and the Pussycats, Dawson's built a pretty solid career.


Her star isn't the only thing on the rise.

Those shitty roles allowed her to later pick up parts in MIB II, Rent and she even showed us the goods in Alexander. Unfortunately she was wrestling a greased up Colin Farrell at the time, but the goods were, nevertheless, delightful. More roles in movies like Sin City, Grind House and Clerks II solidified her spot as an actress with some decent range.


The other thing on the rise was our boners, by the way.

What Happened?

Born in New York City to a 17-year-old mother, Dawson grew up in the Lower East Side, living by the ethos, in her own words: "If you wanted something better, you had to do it yourself." She may have picked up this ethos from her mom, as the apartment they grew up in was initially abandoned, and only became home when her mother broke into it. She may have a New York accent, a kickass body and a distinct absence of moonshine on her breath, but until the age of 17, Rosario Dawson was basically a hobo.


There's oddly no shortage of pictures of Rosario Dawson eating things.

It should be noted, though, that when "something better" did come along, it had nothing to do with Rosario getting it herself. Rather, it had everything to do with her sitting on her extraordinarily sculpted ass in front of her (stolen) apartment.

While she was sitting on her front stoop, a photographer named Larry Clark, and a young screenwriter named Harmony Korine, walked up to her and told her that she would be perfect for one of the characters in his new screenplay. Try to keep in mind a few things about this exchange: Dawson had no acting experience whatsoever. Harmony Korine is the cracked-out mess in this Letterman interview. Larry Clark is a 66-year-old photographer whose favorite subjects are teenagers taking drugs and having sex. And guess what that screenplay she was just "perfect for" was about: One hundred odd pages jam packed with teenagers getting high and boning.


See?

Instead of calling neighborhood watch, Dawson showed up to an audition, got the role and the movie ended up being Kids, launching her and Chloe Sevigny's careers at the same time. To any little girls reading this, we really can't stress enough how unlikely the ending to that story is. Forget a movie career, she's lucky she didn't end up in some impossibly creepy inter-generational version of Bang bus.

#3. Pamela Anderson

For years, Pamela Anderson graced the television screen as a lifeguard in Baywatch who saved lives thanks to the buoyancy of her boobies.

If Marilyn Monroe was our fathers' blonde bombshell, Pamela Anderson, no doubt, was ours. Many a young man remembers where they were when they first watched that glorious rack on a swing in Barb Wire (in their bedrooms with doors locked and shades pulled). As do they remember how many countless hours it took to download the grainy 10-second bits of her sex tape that were available online, only to witness Tommy Lee honking a boat horn with his dong.

Okay, okay, there's more to Pamela Anderson than her boobs and her questionable taste in men. She's worked with PETA on their anti-fur and vegetarian campaigns, and has participated in fundraisers to raise money in the fight against AIDS. So even if you still think she's just a big ol' pair of boobies, she at least has used said boobies for good and not evil.

What Happened?

Born somewhere in Canada, probably to a pack of Molson-drinking timber wolves, Anderson actually became famous for being Canada's Centennial Baby in 1967--the first baby born after the clock struck midnight on Canada's 100th birthday in which they celebrated banding together under one lunatic. Or something like that.

Upon graduating from high school, Anderson moved to Vancouver and became a fitness instructor. It was here that during a CFL game (that's Canadian Football League for anyone who cares) Anderson's image graced the jumbotron while she was wearing a Labatt's t-shirt. The crowd got one look at her legendary chest and freaked the hell out. She was brought down onto the field where she received a huge ovation. It's unclear if they kept playing the game at this point, or if anyone was coherent enough to notice, but we like to think that Canadian football games are called all the time for "crowd's inability to handle wicked hot girl shown on jumbotron."

Labatt's quickly signed her to a modeling contract and, soon, Hugh Hefner was knocking on her door to pose for his magazine. So, we guess there's something we can actually thank Canada for.


That's what we're talking aboot!

#2. John Wayne

If Marilyn Monroe was the quintessential Hollywood Bombshell, John Wayne was the quintessential badass. Charles Bronson, Clint Eastwood, Sly Stallone; all of them took lessons from The Duke.

Wayne would make himself a staple in the Western genre by starring in such films as The Searchers, The Alamo and True Grit. He also made his rounds in the War genre with films like The High and the Mighty, Island in the Sky and The Green Berets, a pro-Vietnam film. That's right; he just didn't give a shit.

By the time he was done, he would appear in 171 movies over 50 years. That's like one movie every three months.

What Happened?

Born Marion Robert Morrison (we'd go with John Wayne, too), the Duke grew up in California after his family relocated there. Having a natural athletic ability, he played football for his high school team which won the state championship in 1924. He attended USC on a football scholarship and would've continued, if not for an unfortunate injury sustained during the impressively unmanly activity that is bodysurfing. Injured and unable to pay for school (he lost his scholarship), he dropped out of USC.

To make ends meet, Wayne applied for jobs at the local film studios in the area. Not as a silver screen badass, just doing any damned thing. He wound up getting a job working with the props department at Fox.

Whenever they needed extras for movies back then, they apparently just grabbed whoever was standing around. Because Wayne had the build of a football player he got early roles like "football player in background" and "football player on sideline." In 1931's The Deceiver he played a corpse.

But then he caught his big break. And as it often happens, his big break wasn't a role, but a person. Wayne became friends with legendary director John Ford, who pulled some strings and got Wayne his first leading role, and later cast him in Stagecoach. That movie made Wayne a star and gave birth to "The Duke," the drawling caricature Wayne would play in movie after movie after movie after movie (just repeat that 150 more times).

#1. Johnny Depp

Edward Scissorhands. Captain Jack Sparrow. Raoul Duke. Mort fucking Rainey. All legendary roles that probably wouldn't be quite as legendary had they not been played by Johnny Depp.

Initially, Depp had no intentions of being an actor. When he was younger, his mother gave him a guitar as a gift and he had his sights set on being a rock star, and even ended up performing in various garage bands. Eventually, Depp dropped out of school to dedicate more time to his music. When he tried to return, his principal actually advised him against doing so, and to follow his dreams instead.

Despite having the world's coolest principal, his hopes for a career in music began to dwindle. Depp married a make-up artist who introduced him to Nicolas Cage, who told the young hopeful to try acting (advice we continue to offer Cage to this very day). Instead, Depp divorced the make-up artist, probably because she introduced him to Nicolas Cage.

What Happened?

Just like Gibson, one day, for no discernible reason, Depp accompanied a friend named Jackie Earle Haley to an audition for a horror movie about an ugly janitor who kills children through their dreams.

It was there that Wes Craven spotted Depp and asked him to read for the part of the protagonist's boyfriend who dies in the most vomit-inducing way possible. Depp nailed the audition and went on to become an iconic movie actor, while his friend was doomed to roles as smelly hippies, smelly perverts and smelly psychopaths.

The lesson? If a friend asks you to drive him to an audition, fucking do it.

Def Leppard's Rick Allen - Where the Magic Is

Def Leppard's Rick Allen talks about his latest project with Krishna Das and the healing power of the drum.

BY: Interview by Dena Ross

Rick Allen is best known as the drummer for the popular hard rock band Def Leppard. After a 1984 car accident severed Allen's left arm, the future looked bleak for the British quintet. But Allen returned after only a few months, helping the band produce some of the biggest hits of its career, including “Pour Some Sugar on Me,” “Hysteria,” and ”Two Steps Behind.” Currently on tour with Def Leppard, Allen also plays on Krishna Das’ new album of chant, “All One.” Allen finds spirituality in many places—Hindu mantras, the Lord’s Prayer, and Shamanism, to name a few. He recently spoke to Beliefnet about his spiritual transformation after his accident and the “magical” experience of playing with Krishna Das.

Can you tell me a bit about your spirituality?

My experiences—and if I talk about [them] in certain circles I would probably get locked up—have been very extreme. One experience in particular, I was actually floating above the ambulance on the way to the hospital. During your accident?

Around the accident. I can’t pinpoint exactly when because I think we seldom visit that part of ourselves, but when we do, it’s probably the most powerful part of ourselves there is. It’s beyond words because you’re just in survival mode. All your other senses have just been shut down, because they’re useless at that point. I felt as though I went to a place where I was on hold, and I was weighing out the pros and cons of staying or going. It wasn’t a painful experience or anything like that. It was actually the most clear thing that I can perceive. It was a group decision made by the universal consciousness.

Why do you think you decided to stay?

Because I hadn’t finished doing what [I was meant to do]. I hadn’t even scratched the surface. I was 21 years old and on the outside, [had] everything going for me--lots of money, women, and whatever I wanted. But it really wasn’t enough. My accident really brought all those flashcards of clarity and truth together that have happened throughout my life. I thought that was the illusion, a hallucination of some sort, but then when I went through the experience of my accident I realized that all those mystical happenings I’d experienced during my lifetime all of a sudden made sense.

So you were spiritually transformed after the accident?

Absolutely. Without a doubt. But there was an integration period that was very difficult.

And what were you going through then?

The integration was really one of trying to grow into my new body and trying to get my head around the very subtle expressions of myself that I visited throughout this ordeal.

[After the accident] I went to live in Amsterdam and threw myself into drugs and alcohol and thought I was doing great. I didn’t have to deal with life, I didn’t have to deal with my family, I didn’t have to deal with anybody. I had enough money, I was fine. I went to some really dark places in myself. I’d walk around the streets smoking heroin--I didn’t care at that point. It wasn’t until five years ago, when I met my wife, that a lot of things started to make sense.

At the time she was working at the Boulder College of Massage teaching an energy medicine course. I attended some of her classes and they did some hands-on healing work with me. It was really profound. And all of a sudden I started to realize all the things that I had gone through, that I had experienced, there was actually scientific evidence to support.

How did your participation in the Krishna Das album come about? What made you want to do it?

I think it chose me. I didn’t choose it. It started a long time ago. As a kid I always had a copy of the Bhagavad Gita next to my bed and [although I] never really read it, I tried to get into it a little bit. We had a really comprehensive array of books at home and this one just happened to end up with me.

When I was in the hospital it was very difficult trying to be a vegetarian—I’d just kind of take the meat off the plate [and had] overcooked vegetables. So when “Mutt” Lange, our producer, [who has] got a strong Hindu belief, visited me in the hospital he said, “Rick, I want to send these people up from London [for you].” So [a Hare Krishna couple] showed up, and they came in every single day and made food for me. That ward smelled like an Indian restaurant. It was brilliant! The hospital said I’d be there for six months. Three and a half weeks later I’m leaving the hospital. I wanted to throw myself back in the band.

I started asking [the Krishna couple] about the preparation of the food, and they [told me] about the intention that they put into the food and the cleanliness, etc.

What do you mean by “intention”? Is it a sort of healing energy?

Exactly. Isn’t that cool?

Yeah, that is.

I do that these days. If I’m making a cup of tea for somebody--if it’s Joe [Elliott, singer for Def Leppard] and he’s got a sore throat, I put my hand around [the cup] and say a little prayer. The worst thing that can happen is it works.

I do that too sometimes. It’s sort of putting your love into it.

Yeah. Thich Nhat Hahn always talks about that—mindfulness. It’s great. Just with everything you do you [say], “I can make a difference there.”

The album has various styles of the Hare Krishna mantra. Do you have your own personal mantra?

The Gayatri [or Savitri, a Hindu prayer] has always been really powerful for me. [It’s] always been a good one for clarity. And I love saying the Lord’s Prayer. It works every time. I’ll also make prayers up for myself, which I find really powerful.

When did you realize that playing the drums was a spiritual experience for you? Has it always been?

I think so. [I remember] walking down the street as a kid next to the big bass drums of a marching band. I mean, that sound feeds my soul. In the early days the perfect show, the really good performance eluded me, but now it doesn’t because all I do is give it up to God. And acknowledge that I’m not in the driving seat.

Can you tell me about the experience of playing with Krishna Das?

One day in 2000 I was walking past a store in Boulder called Tibet, with my fiancé, and we heard this music coming out of the store. We both walked in and split up as we walked into the store. [Later] we met at the back of the store and the both of us had tears rolling down our cheeks. Afterwards we realized it was Krishna Das singing.

A week later a very good friend of ours who works for Sounds True, [told me] he was working with Krishna Das. He invited us to go up to Boulder, and I met with Ty Burhoe, the tabla player. A few days later I was on stage playing with them. It was just so magical—that’s how it’s been with Krishna Das. Whenever he calls me I don’t even ask questions anymore. I just say, ‘I’ll be there. Where do you need me to play?’

The three days we spent in the studio in New York were tremendously powerful. Three days after the recording sessions I was in a hole. I was in such a bad place, because I was dealing with the fallout of being so euphoric.

There was a high—and then a low?

Yeah. I didn’t see it coming. Everything sort of just went downhill, emotionally. So I got on the phone with Krishna Das and I said, “K.D, what’s the deal?” And he said, “The masters—they don’t come down [from the high].” [laughs]

It makes me feel like I want to run away with Krishna Das and just go play with him all the time. Then I’d never have to come down. But unfortunately, I have to deal with life like everybody else.

[Playing with him is] so good for me. I don’t feel like I’m a nutcase anymore. With all these experiences that I’ve had it’s helped [me] get involved with as many different beliefs and philosophies as possible, and really taking them at face value. They all have something, but when you put it all together, that’s when the magic happens.

How does that spiritual experience compare with the kind of drumming you do with Def Leppard? You say that with the Krishna Das project, it chose you. But with Def Leppard, you chose it.

I’d say that Hare Krishna has more energy attached to it in terms of thousands of years of being uttered than “Pour Some Sugar on Me.”

I would imagine that the audience reactions you’re getting from the big shows you’re playing with Def Leppard--the energy of the crowd--must affect you in a sort of similar way.

It does. But I also ask for protection. When people are having a good time [they] are releasing stuff all over the place, and it’s not all good.

There is a very clear intention that goes into…before I play. I want it to be for the good of everybody but I also have to be sensible and protect myself. It’s a slightly different experience with Krishna Das in terms of the ancient nature of the actual mantras themselves. They have a profound effect. Whereas my intention for the show is very powerful, I don’t claim that it’s such a huge experience.

When I go and sit in with Krishna Das I can be playing drums for three hours and only feel like I’ve been playing for an hour. Whereas the Def Leppard show is a little more calculated, more structured, so I have to stay in the physical a bit more. With Krishna Das I’m able to improvise and go to more risky places in terms of playing. It is a different experience, but equally as powerful.

Your foundation, Raven Drum, empowers people through drumming. What exactly is a drum circle?

The circle really is a metaphor for community. It makes the individual feel as though they’re being supported in the worst times—but also in their good times. We’re all on a different cycle and sometimes it takes people who are emotionally strong to help people who are feeling like the world is bearing down on them. That’s really where the drum circle is so powerful. I’m sure it started out as body slaps and sort of an [ancient] form of communication and then it probably developed into a form of dance and then ritual.

We can’t deny the fact that we’re all tribal. We all sat around a fire. We were there with the family group and then with the extended tribe. We were together because we helped each other out. That’s really what the drum circle is all about.

The first rhythm you ever heard was your mother’s heartbeat, so in every way we’re such rhythmic beings. We have cycles. Our skin changes throughout the year, our hair. Life is change.

What happens in a drum circle?

We’ll normally use white sage to cleanse the circle and then we’ll start to set the intention-- and to me the intention is the most important thing. It doesn’t matter if you’re not a master drummer. We’re just trying to give people the experience.

I pick rhythms that are very basic at first and then we start to get more complex as people get more comfortable with playing. Normally the first rhythm—or the first round as we call it—is welcoming in the ancestors, thanking them for making this possible and the fact that we can do this because we’re all here.

The second round is letting go of things that don’t serve you anymore. Sometimes we take small groups of people into the center of a circle and symbolically with a stick strike the ground and allow the earth to absorb all the negativity.

The third round is filling the void--bringing in things that do serve you—compassion, love, all the wonderful things that we’re capable of as human beings. The fourth rhythm is the dance, which is a celebration of life, a celebration of the community. We’ll teach a very simple African dance. We finish up with a big celebration and then a moment of silence [where we] let everything sort of integrate and then close the circle properly. When there’s that many people with the same intention all at the same time, it really does stir things up.

What does the drum circle "stir up"? Emotions?

I mean spiritually. You really do feel the support from the elders, from the ancestors. And the Great Spirit as it were.

How does drumming heal physically?

The instrument itself becomes this healing tool. For instance, when I go on stage tonight and play my drums, my intention will be for the good of everybody there and the sound that I make will go out and it will [reflect my intention].

I think with there’s an alignment that happens with the vibration of the drum and the vibration of that many people in the circle playing—there’s a balancing that happens within your body as you’re feeling that vibration. Like if you went to see Krishna Das, you don’t necessarily have to be this devout Christian or Hindu or whatever--just be in the sound. When you stand and look at an ocean, when you go into a forest, that vibration dominates. I think that’s what happens in the circle—the sound and everything all gets rolled into one.

So how did drumming heal you of pain after your accident?

Interestingly enough, before my accident I wasn’t very interested in playing drums anymore. Because like the old cliché, sex, drugs, and rock n’ roll, I could do without the rock n’ roll. When I got hurled out of the car and my arm got left in [it]—it was taken off by the seat belt—and I landed in a field, the first thing I said, apparently, was ‘I’m a drummer and I’ve lost my arm.’ So the thing that I was really shying away from was the first thing I thought about in a time of crisis.

In the hospital they tried to put my arm back on but got infected, and they had to take the thing off. For a week I was off in the anesthetic, but when I came around, the first thing I thought about was wanting to play again.

They put this piece of foam at the bottom of the bed, and I started tapping my feet on [it] and all of a sudden I realized I could play all the basic rhythms that I always knew. All the information was in my head, I just needed to channel it somewhere else.

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